Oil On Canvas, Real Flavor of Old Masters

All LA TOUR, Maurice Quentin de 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
7782  
Maurice, Comte de Saxe, Marshal of France sg, LA TOUR, Maurice Quentin de
  		 Maurice, Comte de Saxe, Marshal of France sg   1748 Pastel on paper, 59,5 x 49 cm Gemäldegalerie, Dresden
7783  
Mlle Ferrand Meditating on Newton f, LA TOUR, Maurice Quentin de
  		 Mlle Ferrand Meditating on Newton f   1753 Pastel on paper, 73 x 60 cm Alte Pinakothek, Munich
30620  
Portrait of Madame de Pompadour, LA TOUR, Maurice Quentin de
  		 Portrait of Madame de Pompadour   mk68 Pastel on canvas Paris,Louvre 1755 France
33777  
Self-Portrait, LA TOUR, Maurice Quentin de
  		 Self-Portrait   mk86 1751 Pastel 64.5x53cm Amiens,Musee de Picardie
64695  
Self-Portrait, LA TOUR, Maurice Quentin de
  		 Self-Portrait   1751 Pastel on paper Mus?e de Picardie, Amiens Artist:LA TOUR, Maurice Quentin de Title: Self-Portrait, 1701-1750, French , painting , portrait
21901  
Self-Portrait (mk08), LA TOUR, Maurice Quentin de
  		 Self-Portrait (mk08)   1751 Pastel 64.5x53cm Amiens,Musee
7784  
Self-Portrait s, LA TOUR, Maurice Quentin de
  		 Self-Portrait s   1751 Pastel on paper Mus??e de Picardie, Amiens
LA TOUR, Maurice Quentin de
French Rococo Era Painter, 1704-1788 French pastellist. He was one of the greatest pastellists of the 18th century, an equal of Jean-Simeon Chardin and Jean-Baptiste Perronneau. Unlike them, however, he painted no works in oils. Reacting against the stately portraits of preceding generations and against the mythological portraits of many of his contemporaries, La Tour returned to a more realistic and sober style of work. The fundamental quality of his art lies in his ability to suggest the temperament and psychology of his subjects by means of their facial expression, and thereby to translate their fugitive emotions on to paper: 'I penetrate into the depths of my subjects without their knowing it, and capture them whole', as he himself put it. His considerable success led to commissions from the royal family, the court, the rich bourgeoisie and from literary, artistic and theatrical circles.



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